
Height of the kite
In a rural area of Baluchistan, on the border of Iran and Pakistan, women can only sing in private rituals. Fariba, a teenage girl from this region, wants to sing in public like her brother. Can she overcome the gender and racial discrimination that prevents her from achieving her dreams?
2024 (27mins)
Director/filmmaker: Mehraneh Salimian, Amin Pakparvar
Producer/production company: Amin Pakparvar
Country of production: U.S.A.
Country/location of film: Baluchistan, Iran
Screening: 17.30 Wed 8th Oct at the Museum of Macedonia


Mehraneh Salimian is an Iranian filmmaker, editor, and writer based in Chicago, working across documentary, video installation, and fiction film. With experience in 16mm film, her practice centres on the concept of the counter-archive, particularly in Iran, where she creates alternative narratives to challenge dominant historical accounts. Her work engages with themes of memory, unrecorded histories, and political erasure. Her short documentary Height of the Kite (2024) has been featured at Oscar-qualifying film festivals worldwide and received the Best Art Piece award from the Working Artist Organization in Tacoma, WA. Mehraneh holds an MFA in Film, Video, and New Media from the School of the Art Institute of Chicago.
Amin Pakparvar is an Iranian scholar and filmmaker whose work moves between research and artistic practice. Holding a BA in Cinema Studies from the University of Art in Tehran and an MA in Visual and Critical Studies from the School of the Art Institute of Chicago (SAIC), he researches the role of personal archives in Iran and how underground films, private recordings, and family photographs circulate online to reclaim political space. His films draw on speculative methods to reimagine hidden histories and overlooked sites in Iran, blurring the boundaries between documentation and invention. His scholarly and creative work has been presented at international conferences, Oscar-qualifying festivals, and major exhibitions. He has also held research and teaching assistance at SAIC and worked at the Video Data Bank (VDB), the largest video art archive in North America.